Перейти в головне навігаційне меню Перейти до головного Перейти на нижній колонтитул сайту

2022: Іншомовна комунікація: інноваційні та традиційні підходи. Випуск 2

THE ANALYSIS OF THE SPECIFICITY OF SATIRE IN HENRY FIELDING’S DRAMATURGIC WORKS

DOI
https://doi.org/10.36074/ikitp.monograph-2022.09
Опубліковано
2022-06-13

Анотація

The research is devoted to exploring the features of satire in Henry Fielding’s dramaturgic heritage. The picture of studies of the history of the English theatre cannot be complete without a thorough study of Fielding’s dramaturgical experience, which in many respects was ahead of his time. His works are characterized by an extraordinary variety of genres: comedy of manners, dramatic parody, farce, dramatic pamphlet, ballad opera, which gained new forms as a result of the author’s reflection. Such a variety of genre forms, plots, and heroes made it possible to fully satirize those areas of author’s contemporary life, social customs, phenomena, and character traits which the writer wanted to change for the better. Although he was only thirty years old when he turned to writing novels, his works as a novelist were certainly enriched by earlier achievements, and influenced the development of drama and the depiction of the comic in the following centuries. Henry Fielding earned the right to be called not only an outstanding democrat, humanist, educator, novelist, but also a prominent playwright and satirist.

Посилання

  1. Battestin, M. C. (2008). Fielding’s Anatomy of Laughter. Henry Fielding In Our Time: Papers Presented at the Tercentenary Conference. Newcastle upon Tyne: Cambridge Scholars Publishing, 167-195.
  2. Campbell, J. (2001). Introduction to "The Author’s Farce". The Broadview Anthology of Restoration and Eighteenth-Century Drama. Peterborough, ON: Broadview Press, 97-108.
  3. Cross, W. The History of Henry Fielding. Retrieved from URL: https://www.worldcat.org/title/history-of-henry-fielding/oclc/298050644.
  4. Devine, M. E. (1964). Fielding on Walpole: A Study of Henry Fielding’s Major Political Satires, 238.
  5. Dudden, F. H. (1952). Henry Fielding: his life, works, and times. Vol. 1. Oxford, 420.
  6. Fielding, H. Don Quixote in England: A Comedy. As it is Acted at the New Theatre in the Hay-Market. Retrieved from URL: https://books.google.com.ua/books?id=sx0OAAAAQAAJ&printsec=frontcover&dq=Don+Quixote+in+England&hl=ru&sa=X&redir_esc=y#v=onepage&q=Don%20Quixote%20in%20England&f=false.
  7. Fielding, H. Eurydice Hiss’d: or, a word to the wise. Retrieved from URL: https://books.google.com.ua/ books?id=vk0JAAAAQAAJ&printsec=frontcover&dq=Henry+Fielding+Eurydice+Hiss%27d&hl=ru&sa=X&redir_esc=y#v=onepage&q=Henry%20Fielding%20Eurydice%20Hiss'd&f=false.
  8. Fielding, H. Love in Several Masques. Retrieved from URL: https://archive.org/details/completeworkshen 08fiel?q=Love+in+Several+Masques.
  9. Fielding, H. Pasquin, a dramatick satire on the times. Retrieved from URL: https://books.google.com.ua/ books?id=vk0JAAAAQAAJ&pg=PA234&dq=Fielding+Pasquin&hl=ru&sa=X&ved=2ahUKEwjUsfCxgLP5AhXBl4sKHRxtBvYQ6AF6BAgCEAI#v=onepage&q=Fielding%20Pasquin&f=false.
  10. Fielding, H. The Author’s farce, or the Pleasures of the Town. Retrieved from URL: https://archive.org/ details/authorsfarceorig0000fiel/page/n1/mode/2up?q=The+Author%E2%80%99s+farce%2C+or+the+Pleasures+of+the+Town.
  11. Fielding, H. The Grub-Street Opera. Retrieved from URL: https://archive.org/details/in.ernet.dli.2015. 210263/2015.210263.The-Works?q=The+Grub-Street+Opera.
  12. Fielding, H. The Historical Register for the year 1736. Retrieved from URL: https://books.google.com.ua/ books?id=GRZXAAAAcAAJ&printsec=frontcover&hl=ru&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false.
  13. Fielding, H. The Lottery. A Farce: As it is Acted at the Theatre-Royal in Drury-Lane, by His Majesty’s Servants. Retrieved from URL: https://books.google.com.ua/books?id=l6RgAAAAcAAJ&pg=PA20&focus=viewport& hl=ru&output=html.
  14. Fielding, H. The Modern husband. Retrieved from URL: https://books.google.com.ua/books?id=jf8NAAAA QAAJ&printsec=frontcover&dq=Fielding+Modern+Husband&hl=ru&sa=X&redir_esc=y#v=onepage&q=Fielding%20Modern%20Husband&f=false.
  15. Fielding, H. The Temple Beau. Retrieved from URL: https://archive.org/details/workswithessayon01 fieluoft?q=The+Temple+Beau.
  16. Fields, P. S. (1992). High Drama at the Little Theatre, 1730-1737: Henry Fielding, Eliza Haywood, Charlotte Charke, and Company. Louisiana, 600.
  17. Gagey, E. M. Ballad Opera. Retrieved from URL: https://archive.org/details/studentsguidetob0000dick/ page/46/mode/2up?q=McAdoo+Gagey+E.+Ballad+Opera.
  18. Godden, G. M. (2005). Henry Fielding: a Memoir. Retrieved from URL: https://www.gutenberg.org/ ebooks/8136.
  19. Goldgar, B. A. (1976). Walpole and the Wits: The Relations of Politics to literature, 1722 - 1742. Lincoln: University of Nebraska Press, 178.
  20. Hume, R. D. (1988). Henry Fielding and the London Theatre, 1728-1737. Oxford: Clarendon Press, 184.
  21. Hunter, J. P. (1987). Fielding’s Reflexive Plays and the Rhetoric of Discovery. Modern Critical Views. Henry Fielding. New York, 97-129.
  22. Irwin, M. (1967). Henry Fielding. The Tentative Realist. Oxford University Press, 160.
  23. Keymer, T. (2007). Fielding’s Theatrical Career. The Cambridge Companion to Henry Fielding. New York: Cambridge University Press, 17-36.
  24. Lewis, P. (1987). Fielding’s Burlesque Drama: Its Place in the Tradition. Edinburgh, 220.
  25. Lockwood, T. (2008). Fielding from Stage to Page. Henry Fielding: Novelist, Playwright, Journalist, Magistrate. Newark, 23-58.
  26. Loftis, J. (1976). The Revels History of Drama in English. London: Methuen, 305.
  27. Paulson, R. (2000). The Life of Henry Fielding: A Critical Biography. Oxford: Blackwell Publishers, 193.
  28. Potter, T. (1999). Honest sins: Georgian libertinism and the plays and novels of Henry Fielding. McGill-Queen’s University Press, 203.
  29. Rawson, C. (1972). Henry Fielding and the Augustan ideal under stress. London, Boston: Routledge & Regan Paul, 158.
  30. Richetti, J. J. (1994). Fielding and the Novel at Mid-Century. The Columbia History of the British Novel. Columbia University Press, 1064.
  31. Rivero, A. J. (1989). The Plays of Henry Fielding: A critical study of His dramatic Career. Virginia, 170.
  32. Roberts, E. V. (1961). Eighteenth-Century Ballad Operas: The Contribution of Henry Fielding. Drama Survey. Vol.1. Boston, 77-85.
  33. Rogers, P. (1979). Henry Fielding. A Biography. London, 256.
  34. Rosenbalm, J. 0. (1966). Political and social significance in selected drama of Henry Fielding. Denton, Texas, 111.
  35. Wood, D. Ch. (1969). The dramatic tradition of Henry Fielding’s regular comedies. Ohio, 220.
  36. Woods, C. B. (1966). Introduction to The Author’s Farce. Lincoln: University of Nebraska Press, 174.